REMEMBEAR

Ask me anything   I don't even like bears.

psych2go:

Visit psych2go.net for the sources and new articles.

Fear

psych2go:

Visit psych2go.net for the sources and new articles.

Fear

(via myfunnylittlebrain)

— 16 hours ago with 2620 notes

missespeon:

auwa:

fiztheancient:

fireskink:

jacketlizard:

jetgreguar:

grandmasterflash:

tumblr you can keep your glorified nostalgia about the wild thornberries and tony hawk’s pro skater and getting to hold the flea-ridden stuffed lion during the d.a.r.e program and what have you because THIS right here.  now THIS was the essence of the 90s

YOU’LL CALL NOW

oh man it took me literally 2 seconds of this video to remember exactly how the rest of it went

I hated this commercial. Turns out I still hate it.

OH MY GOD THIS DAMN COMMERCIAL

I CAN’T FUCKING STOP LAUGHING its as awful as i remembered it

i cant quite explain this commercial and how it came back to me like

i couldnt remember the exact words by heart but. everything they said chimed in my head like a song i’d heard a long time ago. it was almost rhythmic, buried deep in my memory. it was probably the most bizarre way ive ever remembered something.

(via grawly)

— 16 hours ago with 11400 notes

lawebloca:

Lizard Greets Man like a Dog ** video **

(via myfunnylittlebrain)

— 16 hours ago with 507 notes
choctawaukerman:

real-life-gbf:

Incorrect: that is a recycling bin

 Delete your blog

choctawaukerman:

real-life-gbf:

Incorrect: that is a recycling bin

Delete your blog

(via buttmacklin)

— 22 hours ago with 296571 notes
Different Types of Opals

sixpenceee:

Andamooka Rough Opal

image

Black Opal

image

Boulder Opal

image

Fossilized Opal

image

Ocean Opal

image

Raw Fire Opal

image

Tree Fossil with Opal Rings

image

SOURCE & MORE IMAGES

(via elionking)

— 22 hours ago with 49561 notes
theblacksophisticate:


atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

The more you know.

theblacksophisticate:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

The more you know.

(Source: melanskyyworld, via hydrogyne)

— 22 hours ago with 45584 notes
atane:

jjarichardson:

atane:

atane:

This is a story that isn’t getting the traction in the press that it should. I posted the case about Howard Morgan not long ago here.
Morgan was a veteran police officer in Chicago. He is black. He was shot 28 times by 4 white officers. 21 of those shots were administered to the back of his body. Morgan never fired a weapon, and a witness corroborated that. In fact, one of the officers took Morgan’s weapon away from him. Morgan was acquitted of aggravated discharge of a weapon in 2007. 
Some key facts via this online petition

Howard Morgan’s van was crushed and destroyed without notice or cause before any forensic investigation could be done. The State only produced 3 of the 28 bullets shot into and taken from Howard Morgan’s body, whereby the rest of the 25 bullets could have shown whether or not the police officers who shot Mr. Morgan shot him with his own gun after taking it from him. Howard Morgan was never tested for gun residue to confirm if he even fired a weapon on the morning in question. The State never produced the actual bullet proof vest worn by one of the officers who claimed to have allegedly taken a shot directly into the vest on the morning in question. The State only produced a replica.

Despite all this, and the fact that Morgan was earlier acquitted of firing his own weapon, Morgan was found guilty of attempted murder of the 4 white officers who shot him 28 times, with 21 of those shots having entry points on the back of his body. How does one not fire a weapon, get shot 28 times by four officers, and then be found guilty of attempted murder? It doesn’t make sense.
Morgan is set to be sentenced in April. More info here.

Since people insist on contacting to tell me “not all cops”, I’ll be reblogging old posts of the most egregious cases of police brutality. This isn’t about individual “nice” cops. This is about a systemic problem. Good cops are forced to tow the line or they will get dealt with. No one is denying that cops have a tough job. Who said they didn’t? Isn’t that what they signed up for? Don’t jump in the lion’s den and then complain about lions.
The case above is about a Black Chicago cop named Howard Morgan. Why his case didn’t gain national attention beats me. He was shot 28 times by fellow officers, and 21 of those shots came from behind. He survived somehow. One officer took his weapon away from him. Black cops are not safe either.

I’ve heard an anecdotal story about a family friend who was a police officer. He blew the whistle about a black man’s death in police custody and was promptly fired.

Reblogging for commentary.

atane:

jjarichardson:

atane:

atane:

This is a story that isn’t getting the traction in the press that it should. I posted the case about Howard Morgan not long ago here.

Morgan was a veteran police officer in Chicago. He is black. He was shot 28 times by 4 white officers. 21 of those shots were administered to the back of his body. Morgan never fired a weapon, and a witness corroborated that. In fact, one of the officers took Morgan’s weapon away from him. Morgan was acquitted of aggravated discharge of a weapon in 2007. 

Some key facts via this online petition

Howard Morgan’s van was crushed and destroyed without notice or cause before any forensic investigation could be done.

The State only produced 3 of the 28 bullets shot into and taken from Howard Morgan’s body, whereby the rest of the 25 bullets could have shown whether or not the police officers who shot Mr. Morgan shot him with his own gun after taking it from him.

Howard Morgan was never tested for gun residue to confirm if he even fired a weapon on the morning in question.

The State never produced the actual bullet proof vest worn by one of the officers who claimed to have allegedly taken a shot directly into the vest on the morning in question. The State only produced a replica.

Despite all this, and the fact that Morgan was earlier acquitted of firing his own weapon, Morgan was found guilty of attempted murder of the 4 white officers who shot him 28 times, with 21 of those shots having entry points on the back of his body. How does one not fire a weapon, get shot 28 times by four officers, and then be found guilty of attempted murder? It doesn’t make sense.

Morgan is set to be sentenced in April. More info here.

Since people insist on contacting to tell me “not all cops”, I’ll be reblogging old posts of the most egregious cases of police brutality. This isn’t about individual “nice” cops. This is about a systemic problem. Good cops are forced to tow the line or they will get dealt with. No one is denying that cops have a tough job. Who said they didn’t? Isn’t that what they signed up for? Don’t jump in the lion’s den and then complain about lions.

The case above is about a Black Chicago cop named Howard Morgan. Why his case didn’t gain national attention beats me. He was shot 28 times by fellow officers, and 21 of those shots came from behind. He survived somehow. One officer took his weapon away from him. Black cops are not safe either.

I’ve heard an anecdotal story about a family friend who was a police officer. He blew the whistle about a black man’s death in police custody and was promptly fired.

Reblogging for commentary.

(via hydrogyne)

— 22 hours ago with 8839 notes
mralwaysinmotion:


lizthelazylizard:

saandusti:

blackinasia:

justfalana:
British colonialism in Africa in a nutshell.

British colonialism everywhere.

European Colonialism in general 

One of the things I mentally struggle with as a Black Christian…

mralwaysinmotion:

lizthelazylizard:

saandusti:

blackinasia:

justfalana:

British colonialism in Africa in a nutshell.

British colonialism everywhere.

European Colonialism in general 

One of the things I mentally struggle with as a Black Christian…

(via hydrogyne)

— 22 hours ago with 28806 notes
theycallmemos:


Get that fucking salad out of my face, Jessica

theycallmemos:

Get that fucking salad out of my face, Jessica

(Source: octopusmotor, via dutchster)

— 22 hours ago with 56026 notes

langsettte:

violalioness:

lovelylavenderchild:

You cannot be racist to white people

just like you can’t fire your boss

because you don’t have that power

Racism goes every way. I hope this is some joke. You’re blind and ignorant if you think racism doesn’t hit everyone. 

image

(via dutchster)

— 22 hours ago with 28268 notes
xkit guy for president 2016

meatbicyclevevo:

remembear:

meatbicyclevevo:

maybe he can fix our crumbling economy

2012 was the year the world was supposed to end?

what the fuck are you talking about

…I have no idea…I don’t remember posting this…

— 22 hours ago with 5604 notes
"Saying people of color are obsessed with race is like saying that someone is obsessed with swimming when they’re drowning."
Hari Kondabolu  (via jakeenglish)

(Source: arabellesicardi, via blackgirlsrpretty2)

— 23 hours ago with 7260 notes
http://raptorific.tumblr.com/post/96286614421/when-i-was-12-i-remember-hearing-rhetoric-about →

raptorific:

When I was 12 I remember hearing rhetoric about the wars in Iraq and Afghanistan that always framed it as the US Military “defending our freedom” overseas and I kept asking adults how our freedom was at stake, like, if we lost the wars, how American freedoms would suffer because of it, and I feel…

— 23 hours ago with 27 notes